douqi: (gong qing 2)
[personal profile] douqi
The Chinese imperial court was a deeply hierarchical, misogynistic place. The Chinese imperial court of the popular imagination may, in certain respects, be an even more hierarchical, misogynistic place. This presents certain challenges if you're writing a baihe court intrigue novel, because you probably want the main characters to have at least some agency. From my (not that extensive) reading of court intrigue and court intrigue-adjacent novels, here are four approaches you could take.

very, very mild and vague possible spoilers for the texts under discussion (see tags) )

Let me know if you have any other examples or any other approaches for female characters in historical settings to gain political power! Or whether you see/categorise them differently.
douqi: (gong qing 2)
[personal profile] douqi
I read 19 baihe novels and two baihe novellas this year. Here's the full list in order of when I read them, with links to my reviews where available.

Read more; spoilers have been kept to a minimum )

If I were giving out awards:

Best reads: To Embers We Return, Ravenous, The Little Alpaca.
Compact and compelling: Scrapped, A Broken Bough.
Fun and mostly light: Hunger. Lust.
Biggest letdowns: Above the Fates, The Wayward Disciple.
LET ME EDIT YOU: In Love with a Substitute.
douqi: (gong qing 2)
[personal profile] douqi
As I read Serenade of Tranquility (清平乐, pinyin: qingping yue), it was difficult not to compare it to the author's later, more assured and stronger work Minister Xie (谢相, pinyin: xie xiang). The latter, if I had to pitch it to Anglo genre publishing, I would pitch it as Sha Po Lang meets The Goblin Emperor. The two novels hit very similar themes: a young (would-be) emperor learns to rule, and in the process falls obsessively in love with an older, more politically experienced woman who stands in a (quasi-)familial relationship to her. There are several key weaknesses in Serenade of Tranquility which are not repeated in Minister Xie, and one which is, so I might as well structure the review around them. I do, however, want to start by highlighting a positive feature, which is rare (IME) in the webnovel scene: Ruo Hua Ci Shu is a serious historical novelist, and takes great care with the language, political plotting, everyday and ceremonial customs and practices etc, to ensure that it hews to some actual era in Chinese imperial history. This is particularly obvious in Minister Xie, which is very much inspired by the reign of Emperor Xuan of the Han Dynasty.

spoilers for this novel and Minister Xie )

I read the Chinese original of the novel on JJWXC.
douqi: (gong qing 2)
[personal profile] douqi
My baihe TBR for the next couple of months or so is looking like this:

  • Something I Need to Tell You (有件事想告诉你, pinyin: you jian shi xiang gaosu ni) by Ning Yuan (宁远), which is tagged as sci-fi and seems to be a time-travel/time loop/parallel universes situation.
  • A Difficult Woman (难缠, pinyin: nan chan) by Yu Shuang (鱼霜), a contemporary romance in which a woman moves out of the house she shares with her girlfriend after discovering that the latter has been cheating on her, only to move into a house owned by her girlfriend's arch-rival. The premise doesn't sound particularly gripping (understatement of the year), but I do own the uncensored print edition, so it seems a shame not to read it, and I did like a novel I previously read by the same author, so.
  • Serenade of Tranquility (清平乐, pinyin: qingping yue) by Ruo Hua Ci Shu (若花辞树), a historical novel with (I believe) a tragic ending. I like this author's historical writing and I liked the first 60% of her best-known novel Minister Xie (谢相, pinyin: xie xiang), and I've been meaning to read more work by her.
  • An Endless Story (有终, pinyin: you zhong) by Xiao Xie Chun Feng (小谢春风), a crime thriller. Picked it mainly because I wanted something modern but genre (as opposed to contemporary romance), and also it's significantly shorter than everything else on this list. Plus, the publisher of the print edition had the temerity to release a 'special Christmas edition' mere months after releasing the standard edition, so I wanted to see if it was worth all that hyping up.
  • In Love with a Substitute (和替身谈恋爱, pinyin: he tishen tan lian'ai) by Xiao Tan Luan (小檀栾), a quick transmigration novel. Artbaited (which I rarely am) into putting this on my TBR by the audio drama adaptation, which seems to be aiming to create a new poster for each 'world'.
  • The Little Alpaca (小羊驼, pinyin: xiao yangtuo) by Wu Liao Dao Di (无聊到底), where the protagonist transmigrates into a historical novel... and into the body of the villainess' pet alpaca (could technically be her pet vicuña instead, I guess. Someone previously asked me how on earth an alpaca/vicuña got to historical China, and all I could do was shrug and say, the same way potatoes and chili peppers got to historical China in The Untamed).

Feel free to point at, laugh at or otherwise judge my reading decisions, and tell me which one you think I should read first (although it's probably going to be the alpaca one, since several people have already expressed curiosity about it).

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